Saturday, November 14, 2026

Writing Challenge #15 - 300 Monologues (Write Nov. 15th)


Hi folks

We have reached the midpoint of the month - day and challenge 15 of 30!

No matter how much writing you've done or haven't done over the past two weeks, well done, everyone!

Every day you write something (no matter how good or bad you think it might be in the moment) is a better day than a day where you don't write.  These are just first drafts, you can go back and fix whatever you want later.  For now, just let the pages flow.

Happy writing to all!

And also remember, you can ignore this prompt and write whatever you like.

Just write some pages and turn them in before Sunday, 12 noon Central Time.  That's enough to satisfy the challenge.

(Or that escape hatch play at the end of this message/post is always an option)


RAW NUMBERS

Challenge 11 had 84 playwrights submitting a total of 309 pages
(Or the equivalent of two full-length plays, plus another one-act of 69 pages, for another over an hour of stage time)

Challenge 12 had 82 playwrights submitting a total of 218 pages
(Or the equivalent of one full-length play, plus another 98 page long one-act, which might as well be another full evening of entertainment.)

That lesser number of pages for Challenge 12 isn’t on any of you, by the way.  That was the challenge where Kate set a 300 word limit, and even though I told you that you could ignore it if you wanted to and just had too many words that could not be contained, many of you were sticklers for the rules so, of course, fewer pages that day :)


And, since it’s come up - no, there isn’t a 300 word limit going forward, that was just for challenge 12, and as I said in the challenge message itself, you could feel free to ignore that limit if it was holding back your creativity.  Don’t put any limits on yourselves.  Keep writing, as much or as little as you wish.  Just write something and turn it in by the deadline.  What you write is up to you.


Remember, if you ever find that you haven’t received the day’s email, or perhaps Gmail is hiding it from you, you can always find the challenges posted on the blog - https://thresholdwritingchallenge.blogspot.com/

Let’s get you that writing prompt…



*************************


Challenge #15 - 300 Monologues

Write Sunday, November 15th - or earlier if you like
Due: Monday, November 16th, 12pm noon Central Time 
(1pm Eastern Time, 11am Mountain Time, 10am Western Time for the US Time Zones)


Outside of November, the most jam-packed theater months of the year for me are July and August, when I’m prepping to see and review a lot of shows at the Minnesota Fringe Festival, and then actually seeing them and writing about them afterward.  Because there are more shows in the festival each year than there are times when you could see them in an 11 day schedule with 53 time slots, you have to choose wisely, and very, very rarely do you see a show more than once because, well, you could be seeing another show you still haven’t seen yet, rather than doing repeat viewing of a show you’ve already seen.

So if I go to a show more than once, it’s the work of an artist or group of artists who intrigue my theater brain because they’re playing with words and performance in a way that my brain doesn’t operate when I create, but which I recognize as something significant.  For instance, I can’t write the way poets write, but I appreciate what they do with language - I love reading poetry, but I can’t write a decent poem myself.  I can’t play the guitar with any kind of dexterity, but because I know the component parts that make up playing a chord or finger picking on the strings, I can appreciate it when someone really good does it, because I know how hard it is, this thing they make look so easy.

I saw Sam Sweere’s Fringe play “A Horse Walks Out Onto The Stage and Dies” three times in the summer of 2024.  

And then I saw his Fringe play “A Good Cancer To Have” three times in the summer of 2025.  

This year, he didn’t have a Fringe show but he created a challenge for himself.  He set himself the task of writing two monologues a day, at first for two weeks, because they say that it takes doing something regularly for two weeks for it to become a habit (sort of like writing something every day for the first half of November, you might say). He posted them every day in his Instagram stories, as a way to hold himself accountable.  Once he cleared the first fortnight, he announced he was going to try to keep it going for 150 days, or 300 monologues total.  

Now, he ended up doing more than that because sometimes he lost track of which day it was and did say, Day 22 twice, or threw in a bonus monologue on a couple of days because he was feeling fired up and had another idea.  For those following along, he put out a call for suggestions.  He also enlisted the aid of a random word suggestion program online.  He used another program to create a wheel of suggestions, often from other people’s suggestions, and then spun it and wherever the program chose for it land, that would be the topic for a monologue.

Now, I could give you all three hundred plus monologue titles but giving you that many options is like giving you no options at all, it’s just a blur of words.  So I’ll just choose one from each letter of the alphabet (it wasn’t a plan but he ended up only missing Q and Z):

Awkward (day 120)
The Bar in the Airport at Chili’s (day 65)
El Chupacabra (day 116)
Driving a Forklift (day 94)
Elementary School Crush (day 68)
Fan Fiction (day 76)
Gay Croutons (day 149)
Hydrants (day 98)
Inconsistency (day 82)
Juggling (day 37)
Ketchup (day 132)
The Littlest Pet Shop (day 67)
Monologue about Something that Actually Happened to the Playwright (day 33)
Nightmare (day 27)
Old Timey Sayings (day 34)
Professional Darts (day 58)
A Ridiculous Song Connected To An Important Life Event (day 17) (I suggested this one :)
Superposition (day 7)
Trick Candles (day 123)
Unrequited Love (day 54)
Vending Machines (day 78)
Wrestling (day 8)
The X-Men (day 113)
Monologue Where You’re the Person who Invented Sticky Notes and You’re Trying to get Someone to Like You Romantically (day 27)



If you really want to sample from the whole list, there’s a separate post for that

Also, for fun, if you see interesting runs of words in the list, you can play with those.  For example, I saw these amusing words next to one another and ran them together:

Peasants’ Pepperoni Perfection at Perkins
A Pterodactyl’s Public Apology for Punching Puppies
Sacrifice Sand Castles
Saunas Serenading Shepherds
A Spy Stabbing Stars
Wizard Work Going Unnoticed
You’re a Girl In a Sitcom and You’re Giving a Victim Statement to the Court and You’re a Mime


(I could keep going.  That list is unintentionally quite funny sometimes.  But I do need to stop writing this challenge at some point and post it and get it out to you all :)



So take one or more of those words or phrases that strike your fancy and write something of your own.  

Doesn’t have to be a monologue (monologues are hard - which Sam will be the first to admit.  I’ve personally only ever written a good monologue by accident, as part of a larger scene where the character just had something to say at length.)

So, you know, a scene or part of a scene, whatever you feel like writing with these random bits to choose from as your launching off point.

If that sounds like a fun thing to play around with, go for it.

Or ignore me and write whatever you want - either way, we’re halfway there!




**************************

If you’re not interested in this prompt, you can 

try 2021’s challenge #15: Endings

Or try 2022’s challenge #15: Fake Adaptations

Or try 2023’s Challenge #15: Pictures That Haunt You

Or try 2024’s challenge #15: Reunions

Or try 2025’s challenge #15: Things That Remind Me of “Sex and the City” (from Threshold Theater co-founder and Managing Director David Schlosser)


Or, you know, just ignore the prompts altogether and write whatever you want - as long as you’re writing and turning it in by the deadline, that’s all that matters for the challenge :)


**************************

And because we call can get in our own way so easily, here’s some words of reassurance on the basics of this month:

Friendly Reminders - Answers To Common Questions:
(Follow the links to read me expounding on these items :)

Don’t Stress About Writing A Full Play

Don’t Stress About Format

Don’t Stress About Sticking To The Writing Prompt

No.  Really.  I Mean It.  Don’t Stress About Sticking To The Writing Prompt

Don’t Stress About Finishing An Idea (You Can Add Later)

Don’t Stress About “Succeeding” or “Failing”

Don’t Stress About What You’re Turning In Each Day

Don’t Stress about November 26th (however you recognize the holiday weekend) - 2026 edition


************************

How to submit your work for Challenge #15

We’re streamlining the process this year with a Google form, 

https://docs.google.com/forms/d/e/1FAIpQLSdy-wyjz-IITaNsOkXM1zVQu_yrt_o7E4Vp2eQnr-8VNnu49w/viewform?usp=header

but you still have multiple options for how you submit your playwriting output for the day.

After you enter the required fields of 
email, 
name, 
challenge number (for today, that’d be 15 :) 
and page count, 
you can submit your writing in one of four ways:

Save your script as a PDF or Word Doc and upload that document to the Google form.

OR

Post your script online (on your personal website, as a blog post, or as a Google doc) and put a link to that online script in the Google form.

OR

Copy/paste your work from another source directly into the Google form

OR

Type directly into the Google form.

(Whichever option you choose, you can leave the other ones blank.)



Write Sunday, November 15th - or earlier if you like
Again, this is: Due: Monday, November 16th, 12pm noon Central Time 
(1pm Eastern Time, 11am Mountain Time, 10am Western Time for the US Time Zones)


*************************

And, just to reassure you, no, we are not going to be sticklers about you following these directions down to the minutest detail - the important thing is that you write, and then that you share it with us, so we can keep track of who’s writing every day.

Also, no, there is no penalty for finishing and submitting early - but it also isn’t a race, so give yourself all the time up til 12 noon Central Time on Monday to write if you need it.  When you’re done, you’re done.

Again, remember, it doesn’t need to be great, it doesn’t even need to be responding to this prompt (the prompt is just there so you’re not staring at a blank screen to start with no idea what to write about :)

Doesn't even need to be complete - you could have the beginning or the middle or the end of an idea, maybe two out of three but not all, that's still fine. This is all about getting things started, you can write more later. 

You have 15 more days to build on whatever you come up with today, if you want. 

Just get anything on the page, even if won't make sense to anyone else, as long as it makes sense to you.

It just needs to be something.


**********************

And that something can be:



Lights up.

CEDRIC walks out on stage.

He has a monologue somewhere in his head.

He knows he does.

He can’t think of a thing to say.

Sigh.

Lights down.

The End





That’s always your escape hatch, every day.

That’s your base line.

Build on it.

Have fun.

Don’t stress.

Make an impulsive decision and run with it.

Breathe.

You’ve got the day.

Just write.

And take good care of yourselves, and each other.

Matthew A. Everett
Literary Director
Threshold Theater
(he/him/his) 

Writing Challenge #15 Addendum - The Full List of Sam Sweere Monologues

Here's the full list of subjects/titles of Sam Sweere's monologues, in case you want to choose some of your own and not go with my selection in the main Challenge #15 post (and because I know someone will ask, no there weren't any subjects or titles I found that fit into letters Q or Z, otherwise he did quite unintentionally hit the whole alphabet):

 

Ad Nauseam (day 96)
An Adirondack Chair (day 10)
Aftermath (day 81)
Air Force (day 44)
Air Fryers (day 5)
Air Hockey (day 140)
An Alien (day 11)
Apathy (day 47)
The Apocalypse (day 97)
Artificial Flavor (day 62)
Assault and Battery (day 48)
Awkward (day 120)



The B Plot (day 90)
Backflips (day 110)
Bagels (day 113)
Baja Blast (day 25)
The Bar in the Airport at Chili’s (day 65)
The Bathroom (day 48)
Battle (day 106)
Beauty (day 9)
Begging (day 131)
Being Derivative (day 91)
Being Shut In (day 42)
Being Sick (day 65)
Being Stupid (day 83)
Big Pharma (day 38)
Bikes (day 13)
Blimps (day 69)
A Blog (day 140)
Bluetooth (day 16)
A Body (day 22)
Bomb (day 64)
A Book (day 133)
Boring Jobs (day 87)
The Brady Bunch (day 61)
Buck Hunter (day 122)
Budget Cuts (day 76)
A Bug (day 12)
Buttons (day 52)



Camouflage (day 18)
Cannibals (day 112)
Caps Lock (day 40)
Cards (day 123)
Caroling (day 139)
The Cat in the Hat (day 134)
Chains (day 51)
Chandelier (day 64)
Charity (day 4)
A Check (day 72)
Checks (day 132)
Chekhov’s Gun (day 63)
Chemistry (day 136)
Chess Table at the Park (day 28)
Chili Cook-Off (day 61)
Chips (day 121)
Choking (day 110)
The Christmas Shoes (day 42)
El Chupacabra (day 116)
Cigarettes (day 131)
Classic You (day 103)
A Clown (day 2)
Clyde (day 43)
Coffins (day 108)
Collecting VHS Tapes (day 21)
A Collie (day 9)
Colonoscopy (day 15)
Confiding (day 117)
Conspiracy (day 70)
The Corner Office (day 144)
Cowboys (day 125)
CPR (day 45)
Crank (the movie) (day 121)
Crypto (day 128)
Custom License Plate (day 23)



Dabbing (day 119)
A Detective (day 102)
DIY (day 22)
Dr. Seuss (day 73)
Drastic Measures (day 29)
A Dream (day 91)
Driving a Forklift (day 94)



Eagle Scouts (day 141)
Ego (day 49)
Elementary School Crush (day 68)
Emoting IRL (day 147)
Emus (day 148)
Endowment (day 136)
ENT, Ear Nose and Throat (day 56)
Evil (day 92)
Extras (day 127)



A Fairy (day 77)
Fan Fiction (day 76)
Fantasy Football (day 66)
Father’s Day (day 31)
Feet (day 46)
The Final Monologue (day 150)
Finding Bigfoot (day 20)
Fingers (day 127)
Financial Ruin (day 118)
Fire (day 8)
A Flat (day 79)
Flat Earth (day 60)
Flavor of the Day (day 23)
FOMO (Fear of Missing Out) (day 43)
Food Service (day 81)
Fools (day 105)
Friends (day 116)
Funnel Cakes (day 146)



The Gallbladder (day 13)
Garfield (day 71)
Gay Croutons (day 149)
Getting Caught Up (day 45)
Getting a Ticket (day 25)
Giving a Mouse a Cookie (day 14)
Gluttony (day 99)
A Gnome Watching “Gnomeo and Juliet” (day 35)
Good and Bad (day 95)
Goofy Guys (day 38)
Grandma (day 111)
Grass (day 85)
Having a Green Thumb (day 26)
Grief (day 15)
Gruyere (day 24)



Haircuts (day 99)
Chris Hansen at Subway (day 32)
Heaven (day 3)
Heirlooms (day 142)
Hibachi Chef Pushed to their Limit (day 21)
Hidden Mickeys (day 146)
HOA Meetings (day 145)
Humpty Dumpty (day 55)
Hunting (day 129)
Hydrants (day 98)



Ignorance (day 53)
Improv (day 107)
Inconsistency (day 82)
Intelligence (day 68)



A Jack (day 73)
Juggling (day 37)
Jury Duty (day 105)
Just Dance (day 4)



Karate (day 90)
Ketchup (day 132)



Language Barrier (day 53)
Liability (day 138)
A Lie (day 118)
Limits (day 75)
A List (day 93)
Little Birds (day 29)
The Little Guy (day 84)
The Littlest Pet Shop (day 67)
Little Red Riding Hood (day 141)
Lonely Child (day 22)
Loss (day 42)
A Lot (day 137)
The Lottery (day 1)
Love (day 35)
Lying (day 130)



A Major Upset (day 60)
Majora’s Mask (day 148)
Make-A-Wish (day 57)
Mannequins (day 92)
Marble (day 138)
Masonry (day 137)
Matter (day 6)
Mechanics (day 71)
A Median (day 3)
Microbes (day 149)
Mike’s Way (day 72)
The Milkman (day 34)
Mini Corndogs (day 145)
A Minion Getting a Divorce (day 30)
A Minute (day 130)
Mitch McConnell (day 50)
Mondays (day 31)
Monologue about a Monologue (day 80)
Monologue about Something that Actually Happened to the Playwright (day 33)
A Monologue that Doesn’t Inherently Make a Lot of Sense when Written Down (day 32)
Mothman (day 122)
Motivation (day 133)
Mount Everest (day 37)
Mr. Peanut (day 19)
Mugging (day 77)



A New Hat (day 47)
Newborn Baby (day 28)
Nightmare (day 27)
It’s Not About You (day 59)



Oktoberfest (day 144)
Old Timey Sayings (day 34)
Optimism (day 135)



Peasants (day 96)
Pepperoni (day 88)
Perfection (day 2 AND day 46)
Perkins (day 147)
The Person Who Came Up with Milking (day 36)
Photos (day 135)
Phones (day 108)
The Pina Colada Song (day 84)
Pinocchio (day 119)
Plantains (day 10)
Plumbers (day 89)
Pondering (day 39)
Practice (day 62)
Practicing What You Preach (day 59)
Pride (day 6)
Priority (day 51)
Professional Darts (day 58)
Progress (day 87)
Pterodactyls (day 97)
A Public Apology (day 100)
Punching (day 98)
Puppies (day 128)



Reading to Children (day 39)
Realistic Expectations (day 30)
A Regular Guy (day 55)
Respect (day 22)
Riddles Three (day 50)
A Ridiculous Song Connected To An Important Life Event (day 17)
Ritual(s) (day 17)
River Styx (day 20)
Rolls (day 85)



Sacrifice (day 66)
Sand Castles (day 78)
Saunas (day 82)
Serenading (day 125)
Shepherds (day 54)
Shrimp (day 14)
Shrinkage (day 103)
Simon Cowell (day 95)
Slam Poetry (day 88)
A Slip Up (day 107)
Southern Nights (day 18)
Speed (day 32)
A Spy (day 79)
Stabbing (day 134)
Stars (day 139)
Starting a New Board (day 26)
Stools (day 7)
Storks (day 100)
Stuart Little (day 24)
Suicide (day 101)
Superposition (day 7)
Survival (day 70)



T-Shirt Cannons (day 74)
Taco Bell (day 16)
Taking It In (day 44)
Talent (day 57)
Technique (day 106)
Temporary Tattoos (day 40)
Texture (day 143)
Therapy (day 86)
The Thing (Fantastic Four) (day 52)
Things That Go Bump In The Night (day 56)
The Things That Matter (day 41)
TicTacToe (day 1)
Tickets (day 126)
Tiptoes (day 142)
T.J. Maxx (day 109)
The Toothbrush Holder (day 49)
Toothpicks (day 12)
Trick Candles (day 123)
A Tumor (day 104)
A Tumor Again (day 104)
The Twelve Days of Christmas (day 94)
Twins (day 80)



The Ugly Truth (day 117)
Uncrustables (day 128)
Unemployment (day 111)
Unrequited Love (day 54)
Urology (day 109)



Vacation (day 5)
Vending Machines (day 78)
A Vibe (day 101)



Waiting (day 63)
A Wall (day 102)
Waves (day 11)
Wednesday (day 89)
A Week (day 143)
Weight (day 126)
When You Need Your EpiPen (day 36)
White Vans (day 93)
Wildebeest (day 112)
Will Farrell (day 120)
Wizard (day 33)
Work Going Unnoticed (day 41)
Worms (day 69)
Wrestling (day 8)
The Wrong Side (day 91)



The X-Men (day 113)



Monologue Where You Suck (day 22)
You’re an Ant (day 83)
You’re a Bowling Pin (day 74)
You’re a Chipmunk (day 58)
You’re an Elf (day 67)
You’re Getting Your Picture Taken (day 86)
You’re a Girl In a Sitcom (day 19)
You’re Giving a Victim Statement to the Court (day 75)
You’re a Mime (blank :) (day 58)
You’re the Person who Invented Sticky Notes and You’re Trying to get Someone to Like You Romantically (day 27)
You’re Putting the Furniture Together (day 91)

 

 

Friday, November 13, 2026

Writing Challenge #14 - Nostalgia and Metatext (Write Nov. 14th)


Hi folks

14 days, 14 challenges, two weeks into the challenge!

You folks are crushing it!

Keep those random bits of plays coming.

Let’s gather some raw material that we can keep playing around with beyond November to get us through the rest of the winter into spring again, what do you say?

(I’ve already gotten two messages related to the Microsoft outages yesterday and today, so if this worldwide technical difficulty is affecting you, don’t fret.  Just let me know.  Thanks!)

Onward to today’s writing prompt…

************************

Challenge #14 - Nostalgia and Metatext

Write Saturday, November 14th - or earlier if you like
Due: Sunday, November 15th, 12pm noon Central Time 
(1pm Eastern Time, 11am Mountain Time, 10am Western Time for the US Time Zones)



This one comes from a couple of suggestions from Threshold Theater co-founder and Technical Director Nick Mrozek. I thought these two ideas from Nick made a good pair for a challenge:


“Something nostalgic”

And/Or

“A play about playwriting”



Nostalgia, of course, could go anywhere - nostalgia for something that happened to your characters, nostalgia for something that never happened, nostalgia for a time or place or person that your characters never had a chance to interact with but feel drawn to, nostalgia on the part of you as a playwright for a kind of play or a kind of story or a kind of theatrical event or convention that used to be common but that is less prevalent today (“they don’t write ‘em like that any more” or “what happened to all those plays about…?”), or using any or all of that in order to evoke a feeling of nostalgia in the audience (“wow, remember when society wasn’t just a bunch of broken traumatized people just looking out for themselves?” Or “people actually used to have conversations, in person, that didn’t always devolve into shouting matches - let’s bring that back.”)

Personally, I’m not much for art about artists, mostly because they’re often written so badly.  Artist is not a personality.

However, that’s not necessarily what Nick is suggesting.  A play about playwriting could just be a play wherein the theatrical conventions are all knowingly being played with right out in plain sight and not hidden from the audience.  

The characters could even be aware they’re in a play, or at least one of them could be.  

The narrative hand, the typing fingers, the grip on the pen or pencil, could be manifestly present somehow.  

Or you could just break down a play into its component parts and label them, reshuffle them, repeat them, revise them, making the play a living evolving, perhaps nonlinear thing, right out there for the audience to see and interact with.  

Maybe it’s a “choose your own adventure” with multiple options the audience can guide.  

Maybe there are different collections of characters and/or actors that are set in motion only when called upon by audience suggestion.  

Maybe it’s a play about trying to get the ending right, or the beginning right, or the title right, or the lead character right.  Maybe it’s about molding those elements like clay until they take the form you want.

All of this put me in mind of an artist whose work I’ve been fascinated by over the years. Billy Mullaney used to be based out of Minneapolis (making work on his own and with collaborator Emily Gastenau, as the group Fire Drill (she moved on to do work with the Red Eye Theater in the Twin Cities). Billy is now is making performance art in Amsterdam with a group called Tilt.

Billy just keeps picking away at the idea of “What exactly is live performance anyway? What is it doing to both the performer and the audience?” Over the years that’s taken the shape of things like the following:

Recreating a full relativistic quantum physics lecture, verbatim, writing out the equations and filling a white board even though he has no idea what he’s saying or what he’s writing.  He’s memorized both the words and the equations like a script, and then performs them.

Recreating an episode of Mr. Rogers’ Neighborhood in full, on stage, in the persona of Fred Rogers.  Unironically.

Since he’s been overseas, he’s explored the performances of tarot card readings, geometry word problems, the creation of promotional trailers, and an improvised conversational show helpfully titled “The Agony and the Ecstasy of American Football as Enthusiastically Explained by Billy Mullaney.”

All of these have a script, of sorts, though many are drawn from non-theatrical raw material.  They engage the brains of the audience in a different way than a traditional story does, but they do build from beginning to end and add up to something, even if that something is only a feeling or an experience or a visual creation onstage meant to plant a lasting image in the mind of the spectator.

So what is a play, really?  Break it down.


Play around with one of those sets of ideas (or both).

Or don’t.

Up to you.

Just write something.


***********************

If you’re not interested in this prompt, you can 

try 2021’s challenge #14: Magic

Or try 2022’s challenge #14: Snowflakes and Other Totems

Or try 2023’s Challenge #14: The Worst Play You Can Possibly Imagine (from Threshold Theater Literary Associate Kate Cosgrove)

Or try 2024’s challenge #14: Every Line A Question (from Threshold Theater Literary Associate Kate Cosgrove)

Or try 2025’s challenge #14: Fruit and Straws (from Threshold Theater company member and stage manager June Haider)


Or, you know, just ignore the prompts altogether and write whatever you want - as long as you’re writing and turning it in by the deadline, that’s all that matters for the challenge :)


************************

And because we call can get in our own way so easily, here’s some words of reassurance on the basics of this month:

Friendly Reminders - Answers To Common Questions:
(Follow the links to read me expounding on these items :)

Don’t Stress About Writing A Full Play

Don’t Stress About Format

Don’t Stress About Sticking To The Writing Prompt

No.  Really.  I Mean It.  Don’t Stress About Sticking To The Writing Prompt

Don’t Stress About Finishing An Idea (You Can Add Later)

Don’t Stress About “Succeeding” or “Failing”

Don’t Stress About What You’re Turning In Each Day

Don’t Stress about November 26th (however you recognize the holiday weekend) - 2026 edition


**************************

How to submit your work for Challenge #14

We’re streamlining the process this year with a Google form, 

https://docs.google.com/forms/d/e/1FAIpQLSdy-wyjz-IITaNsOkXM1zVQu_yrt_o7E4Vp2eQnr-8VNnu49w/viewform?usp=header

but you still have multiple options for how you submit your playwriting output for the day.

After you enter the required fields of 
email, 
name, 
challenge number (for today, that’d be 14 :) 
and page count, 
you can submit your writing in one of four ways:

Save your script as a PDF or Word Doc and upload that document to the Google form.

OR

Post your script online (on your personal website, as a blog post, or as a Google doc) and put a link to that online script in the Google form.

OR

Copy/paste your work from another source directly into the Google form

OR

Type directly into the Google form.

(Whichever option you choose, you can leave the other ones blank.)



Write Saturday, November 14th - or earlier if you like
Again, this is: Due: Sunday, November 15th, 12pm noon Central Time 
(1pm Eastern Time, 11am Mountain Time, 10am Western Time for the US Time Zones)


***********************

And, just to reassure you, no, we are not going to be sticklers about you following these directions down to the minutest detail - the important thing is that you write, and then that you share it with us, so we can keep track of who’s writing every day.

Also, no, there is no penalty for finishing and submitting early - but it also isn’t a race, so give yourself all the time up til 12 noon Central Time on Sunday to write if you need it.  When you’re done, you’re done.

Again, remember, it doesn’t need to be great, it doesn’t even need to be responding to this prompt (the prompt is just there so you’re not staring at a blank screen to start with no idea what to write about :)

Doesn't even need to be complete - you could have the beginning or the middle or the end of an idea, maybe two out of three but not all, that's still fine. This is all about getting things started, you can write more later. 

You have 16 more days to build on whatever you come up with today, if you want. 

Just get anything on the page, even if won't make sense to anyone else, as long as it makes sense to you.

It just needs to be something.

************************

And that something can be:


Lights up

FREDDY stands in the well of an old-fashioned manual typewriter.

A set of giant puppet hands descend upon the keys and start typing.

The large letter keys begin striking the enormous sheet of paper, and FREDDY inside the typewriter must dance among the keys in order to keep from getting hit from a multitude of directions.


FREDDY: Screw this, I’m gonna go find a giant laptop instead.  It’s much safer.

FREDDY leaps out of the typewriter key well to safety as the giant puppet hands keep typing.

The End




That’s always your escape hatch, every day.

That’s your base line.

Build on it.

Have fun.

Don’t stress.

Make an impulsive decision and run with it.

Breathe.

You’ve got the day.

Just write.

And take good care of yourselves, and each other.

Matthew A. Everett
Literary Director
Threshold Theater
(he/him/his) 

Thursday, November 12, 2026

Writing Challenge #13 - Unfinished Sentences, Sights and Sounds (Write Nov. 13th)


Hi folks

Lucky challenge 13 on Friday the 13th!   We’re nearly two weeks into November.

Well done!  Keep at it!

I’m still working my way through the latest notes you tagged onto your submission forms the past couple of days so bear with me.  There’s over a hundred of you, after all :)

RAW NUMBERS

(Why are these raw numbers, you ask?  Well, people have technical difficulties or things are mislabeled, so sometimes there’s follow-up that shifts the numbers a little bit one way or the other.  This is what I know just at the moment at first glance…)

Challenge 9 had 82 playwrights responding with 285 pages of material

Challenge 10 had 84 playwrights responding with 284 pages of material

In both cases, that’s the equivalent of two full-length plays, plus another 44 or 45 page one-act play.  Not bad at all.  Well done, folks!  Keep up the good work :)

Getting this out a little earlier today because I’ve got both the day jobs today and I’m not sure when I’ll get to it later.  Better safe than sorry.

Let’s get you that writing prompt…


*************************

 Challenge #13 - Unfinished Sentences, Sights and Sounds

Write Friday, November 13th - or earlier if you like
Due: Saturday, November 14th, 12pm noon Central Time 
(1pm Eastern Time, 11am Mountain Time, 10am Western Time for the US Time Zones)



This raw material for this one comes from Threshold Theater co-founder and Managing Director David Schlosser.

First, we have some unfinished starts of lines of dialogue:

“It should have been a red flag when….”

“He leaned in and said there are 3 things….”

“My back went out.”

“To hell with all of this, I….”


Second, we have some images and/or sounds:

Cat hissed

Spinning globe

Cell phone rang 

match strike 



Now that second line could just as easily be a stage direction followed by a line:

(He leaned in and said) 

CHARACTER: There are 3 things….


As well as someone telling a story about someone else where they say:

“He leaned in and said there are 3 things….”


Those lines could go anywhere.  You can use one or more than one, to get some dialogue going.

Similarly, with the second list, what questions leap out at you?

I wonder - why is that cat hissing? At what or who is that cat hissing?

Who’s spinning that globe and why?  Is it just spinning on its own?  What happens when it stops?  Is it just going to stop spinning naturally or is someone going to stop it in a particular place to make a point or help with a decision?

The cell phone ringing?  Who’s calling?  Is anyone going to answer?  And if so, is it going to be the person the caller expects to answer?  What if it just keeps ringing?  Why is no one answering?

Who’s striking the match and why?  For illumination in the dark?  To light something they want to smoke, and if so, what are they smoking and why?  To light a candle - what kind of candle - large for a dinner, small for a birthday cake?  Or are they trying to light a fire, for warmth or more nefarious purposes? (Remember that “Great Things To Set On Fire” challenge at the start of the month?)



Let that set of random jumping off points do for you what they will.

Or don’t.  

Write whatever you like.

Just write something.

Keep that dialogue flowing :)


**************************

If you’re not interested in this prompt, you can 

try 2021’s challenge #13: Your Favorite Song

Or try 2022’s challenge #13: Abscission

Or try 2023’s Challenge #13 - Box of Doorknobs

Or try 2024’s challenge #13: License Plates and Bumper Stickers

Or try 2025’s challenge #13: Impossible Scene (from Threshold Theater Literary Associate Maren Findlay)

Or, you know, just ignore the prompts altogether and write whatever you want - as long as you’re writing and turning it in by the deadline, that’s all that matters for the challenge :)


****************************

And because we call can get in our own way so easily, here’s some words of reassurance on the basics of this month:

Friendly Reminders - Answers To Common Questions:
(Follow the links to read me expounding on these items :)

Don’t Stress About Writing A Full Play

Don’t Stress About Format

Don’t Stress About Sticking To The Writing Prompt

No.  Really.  I Mean It.  Don’t Stress About Sticking To The Writing Prompt

Don’t Stress About Finishing An Idea (You Can Add Later)

Don’t Stress About “Succeeding” or “Failing”

Don’t Stress About What You’re Turning In Each Day

Don’t Stress about November 26th (however you recognize the holiday weekend) - 2026 edition


**************************

How to submit your work for Challenge #13

We’re streamlining the process this year with a Google form, 

https://docs.google.com/forms/d/e/1FAIpQLSdy-wyjz-IITaNsOkXM1zVQu_yrt_o7E4Vp2eQnr-8VNnu49w/viewform?usp=header

but you still have multiple options for how you submit your playwriting output for the day.

After you enter the required fields of 
email, 
name, 
challenge number (for today, that’d be 13 :) 
and page count, 
you can submit your writing in one of four ways:

Save your script as a PDF or Word Doc and upload that document to the Google form.

OR

Post your script online (on your personal website, as a blog post, or as a Google doc) and put a link to that online script in the Google form.

OR

Copy/paste your work from another source directly into the Google form

OR

Type directly into the Google form.

(Whichever option you choose, you can leave the other ones blank.)



Write Friday, November 13th - or earlier if you like
Again, this is: Due: Saturday, November 14th, 12pm noon Central Time 
(1pm Eastern Time, 11am Mountain Time, 10am Western Time for the US Time Zones)


************************

And, just to reassure you, no, we are not going to be sticklers about you following these directions down to the minutest detail - the important thing is that you write, and then that you share it with us, so we can keep track of who’s writing every day.

Also, no, there is no penalty for finishing and submitting early - but it also isn’t a race, so give yourself all the time up til 12 noon Central Time on Saturday to write if you need it.  When you’re done, you’re done.

Again, remember, it doesn’t need to be great, it doesn’t even need to be responding to this prompt (the prompt is just there so you’re not staring at a blank screen to start with no idea what to write about :)

Doesn't even need to be complete - you could have the beginning or the middle or the end of an idea, maybe two out of three but not all, that's still fine. This is all about getting things started, you can write more later. 

You have 17 more days to build on whatever you come up with today, if you want. 

Just get anything on the page, even if won't make sense to anyone else, as long as it makes sense to you.

It just needs to be something.


***********************

And that something can be:



Lights up.

Someone lights a match, startling a cat in the dark, which hisses.

The cat jumps away, alighting momentarily on a globe and immediately jumping away, setting it spinning.

Suddenly a cell phone rings.

The person holding the lit match shakes it out.

In the darkness, they answer the phone:

STRANGER IN THE DARK: Hello?

Lights down.

The End




That’s always your escape hatch, every day.

That’s your base line.

Build on it.

Have fun.

Don’t stress.

Make an impulsive decision and run with it.

Breathe.

You’ve got the day.

Just write.

And take good care of yourselves, and each other.

Matthew A. Everett
Literary Director
Threshold Theater
(he/him/his) 

Wednesday, November 11, 2026

Writing Challenge #12 - Emoji Story (Write Nov. 12th)


Hi folks

Seeing all your creativity come flooding into the inbox is very gratifying.  It’s why we do the challenge, to encourage the practice of playwriting, however you choose to exercise it.

In one of my past lives, I hosted a local theater arts discussion show on cable access, and during one of the interviews, the guest said that he was reminded of an artist (he couldn’t remember the name), but during a time of unrest and uncertainty, this writer said, “In the future, people won’t ask about what the politicians did or didn’t do about a bad situation. They will ask why the artists were silent.”

So thank you all, for continuing to write.  And not being silent.

No raw numbers at the moment (day job’s busier than usual today).  More on that later.

Let’s get you that writing prompt…


*****************************

Challenge #12 - Emoji Story

Write Thursday, November 12th - or earlier if you like
Due: Friday, November 13th, 12pm noon Central Time 
(1pm Eastern Time, 11am Mountain Time, 10am Western Time for the US Time Zones)



This challenge comes to us from Threshold Theater Literary Associate Kate Cosgrove.

Kate sent as a topic a series of five emojis:

A smiley face
A monkey
A medal (like in sports competitions or formal state ceremonies)
Two clinking glasses of champagne (a toast? Cheers!)
A police car


Also, another instruction - Maximum word count: 300

I shall try to insert a picture of the emojis but I may not be successful, we shall see.
 

Regardless, if you have a smartphone with the ability to text, you can probably conjure your own sequence of similar emojis.

Now, is this just the tale of a drunk monkey celebrating an award they received a little too enthusiastically and then getting pulled over by the cops?

Nah, that’s too easy.

But feel free to write that if you want, don’t let me stop you.



Now, even though we should also be familiar with how laid back we are around writing rules here - other than “write something” and “turn it in by 12 noon Central Time each day” - 

I’m sure some folks will look at that maximum word count of 300 and think “I have to write that many words?!” 

And other folks will lot at that maximum word count of 300 and feel incredibly constricted (“I can ONLY use 300 words? But I have so much more to say!”)

Don’t let that number stress you out.

If you want to take it as a challenge and craft something with only 300 words, that’s great.

If you end up writing short or long, don’t bemoan that you’ve failed somehow.

Again, if you write something, anything, short or long or exactly 300 words, and turn it in by the deadline, mission accomplished, no worries.


“But I must have structure and boundaries,” I hear you say.  “What words count towards that 300 words?  Do I just go to the Word Count feature of my word processing software and see what the word count is that way and if it says 300 there, I’m good?”

Sure.  But don’t fret about it.



“Do character names over or next to the actual dialogue count toward the 300?”

Only if you want them to.



“Do stage directions count?”

Only if you want them to.



“What if I only write stage directions?”

Those are still words, aren’t they?



“Can I submit a story that is composed of nothing but emojis?  300 emojis?”

Do you really have that much free time?  Great!



“But how do I know if I’m doing it right?”

It’s a writing challenge composed of five emojis.  How exactly could you do it wrong?

 

Take any or all of those if they inspire you, and spin a scene or two out of them.

Or if those don’t do it for you, but they make you think of something else you might like to write about instead, go with that.  Choose your own emoji adventure.

Just write something.



****************************

If you’re not interested in this prompt, you can 

try 2021’s challenge #12: Random Phrase Generator part 2

Or try 2022’s challenge #12: Omens

Or try 2023’s Challenge #12: Snapshots 2 (from Threshold Theater’s co-founder and Managing Director David Schlosser)

Or try 2024’s challenge #12: The Neon Sign, The Keys, The Door (from Threshold Theater’s co-founder and Managing Director David Schlosser)

Or try 2025’s challenge #12: The Weight


Or, you know, just ignore the prompts altogether and write whatever you want - as long as you’re writing and turning it in by the deadline, that’s all that matters for the challenge :)


*******************************

And because we call can get in our own way so easily, here’s some words of reassurance on the basics of this month:

Friendly Reminders - Answers To Common Questions:
(Follow the links to read me expounding on these items :)

Don’t Stress About Writing A Full Play

Don’t Stress About Format

Don’t Stress About Sticking To The Writing Prompt

No.  Really.  I Mean It.  Don’t Stress About Sticking To The Writing Prompt

Don’t Stress About Finishing An Idea (You Can Add Later)

Don’t Stress About “Succeeding” or “Failing”

Don’t Stress About What You’re Turning In Each Day

Don’t Stress about November 26th (however you recognize the holiday weekend) - 2026 edition


**************************

How to submit your work for Challenge #12

We’re streamlining the process this year with a Google form, 

https://docs.google.com/forms/d/e/1FAIpQLSdy-wyjz-IITaNsOkXM1zVQu_yrt_o7E4Vp2eQnr-8VNnu49w/viewform?usp=header

but you still have multiple options for how you submit your playwriting output for the day.

After you enter the required fields of 
email, 
name, 
challenge number (for today, that’d be 12 :) 
and page count, 
you can submit your writing in one of four ways:

Save your script as a PDF or Word Doc and upload that document to the Google form.

OR

Post your script online (on your personal website, as a blog post, or as a Google doc) and put a link to that online script in the Google form.

OR

Copy/paste your work from another source directly into the Google form

OR

Type directly into the Google form.

(Whichever option you choose, you can leave the other ones blank.)



Write Thursday, November 12th - or earlier if you like
Again, this is: Due: Friday, November 13th, 12pm noon Central Time 
(1pm Eastern Time, 11am Mountain Time, 10am Western Time for the US Time Zones)


**************************

And, just to reassure you, no, we are not going to be sticklers about you following these directions down to the minutest detail - the important thing is that you write, and then that you share it with us, so we can keep track of who’s writing every day.

Also, no, there is no penalty for finishing and submitting early - but it also isn’t a race, so give yourself all the time up til 12 noon Central Time on Friday to write if you need it.  When you’re done, you’re done.

Again, remember, it doesn’t need to be great, it doesn’t even need to be responding to this prompt (the prompt is just there so you’re not staring at a blank screen to start with no idea what to write about :)

Doesn't even need to be complete - you could have the beginning or the middle or the end of an idea, maybe two out of three but not all, that's still fine. This is all about getting things started, you can write more later. 

You have 18 more days to build on whatever you come up with today, if you want. 

Just get anything on the page, even if won't make sense to anyone else, as long as it makes sense to you.

It just needs to be something.


***********************

And that something can be:



Lights up.

A drunken but very happy cartoon monkey wearing a gold medal staggers across the stage and off on the other side.

After the monkey disappears, a toy remote control police car follows in hot pursuit.

Lights down.

The End




That’s always your escape hatch, every day.

That’s your base line.

Build on it.

Have fun.

Don’t stress.

Make an impulsive decision and run with it.

Breathe.

You’ve got the day.

Just write.

And take good care of yourselves, and each other.

Matthew A. Everett
Literary Director
Threshold Theater
(he/him/his) 

Tuesday, November 10, 2026

Writing Challenge #11 - Confessionals and Co-Workers (Write Nov. 11th)


Hi folks

Another milestone behind us - 10 days in - we’re a third of the way there!  

Well done, everybody!

Hang in there and keep going.

As much as anything, we’re just trying to establish a new habit of writing, even if it’s just a little bit, every day.

If you miss a day, no worries.  Don’t beat yourself up.  Just write the next day.

RAW NUMBERS:

Here’s what we have at first blush for challenge 8:

89 playwrights, submitting 322 pages of material
(Or the equivalent of two full-length plays, plus another 82 page one-act, which these days also counts as a full evening’s entertainment on stage.)

Nicely done, everybody!

Now let’s get you that writing prompt…


**************************

Challenge #11 - Confessionals and Co-Workers

Write Wednesday, November 11th - or earlier if you like
Due: Thursday, November 12th, 12pm noon Central Time 
(1pm Eastern Time, 11am Mountain Time, 10am Western Time for the US Time Zones)



This challenge comes to us via suggestions from Threshold Theater company member, and costume designer, Aella Rose-Hill.

There were two suggestions in the list Aella sent me that seemed to go well together, even though they’re not actually related.


This reality television confessional has gone off the rails

and 

Your least favorite coworker just clocked in...


Both, of course, have the benefit of conflict - reality TV confessionals are typically where everyone talks trash about everybody else on a particular show, and if that venting leaks out into later interactions, well… we’re off and running.  The fact that this confessional goes “off the rails” presents all kinds of fun possibilities.

Side note: it struck me just now that the parlance of reality TV has co-opted the religious ritual of confession.  Oh no, "Priests Gone Wild."

“Forgive me, Father, for I have sinned.”
“Not a chance, you filthy slut.”
“Father!”
“That’s what you get, Gary.”


Meanwhile, back at the office, how about that least favorite co-worker who just clocked in…?

Again, I have to admit that workplace scenarios aren’t my favorite.  I regularly write in order not to think about my day job.

However, work is one of the few third spaces we have left (as long as we’re not working from home, of course) - a place where people who might not otherwise cross paths are forced into proximity to one another, and ostensibly for the same “cause” - whatever the business or organization in question is doing, everyone needs to try and pull in the same direction so that the mission is accomplished.

And if we have a coworker we don’t like, well, we may be stuck with them.  Unless they leave, or we leave, and that’s not the most likely solution.  More often than not we need to find a way to co-exist, find common ground.  If it’s someone’s bad work ethic, that’s one thing.  If it’s just their general personality, that’s another.  And of course, the dreaded office politics of choosing sides and playing people against one another.

So there’s ample material.

What reality TV show that doesn’t exist would you create?  What would it explore about the human condition?  After all, The Amazing Race and The Real World and The Bachelor(ette) and RuPaul’s Drag Race and Survivor and Love Island and Below Decks and 90 Day FiancĂ© and Traitors and all the Housewives and Big Brother are all very different universes (and there are SO many more of them…)

And what if your least favorite co-worker isn’t the problem?  What if it’s your protagonist that’s the problem?

See what one or the other of those ideas from Aella might conjure up for you.  Also, feel free to throw them together if you want - since reality TV shows IN the workplace aren’t exactly a rare thing either.

Or don’t.

Just write something.


****************************

If you’re not interested in this prompt, you can 

try 2021’s challenge #11: Punk Monkey, Film Noir and Ride The Pink Horse

Or try 2022’s challenge #11: Background Music

Or try 2023’s Challenge #11: Fake Tour Guide

Or try 2024’s challenge #11: SISU

Or try 2025’s challenge #11: Unfinished Thoughts (from Threshold Theater co-founder and Managing Director David Schlosser)

Or, you know, just ignore the prompts altogether and write whatever you want - as long as you’re writing and turning it in by the deadline, that’s all that matters for the challenge :)


***************************

And because we call can get in our own way so easily, here’s some words of reassurance on the basics of this month:

Friendly Reminders - Answers To Common Questions:
(Follow the links to read me expounding on these items :)

Don’t Stress About Writing A Full Play

Don’t Stress About Format

Don’t Stress About Sticking To The Writing Prompt

No.  Really.  I Mean It.  Don’t Stress About Sticking To The Writing Prompt

Don’t Stress About Finishing An Idea (You Can Add Later)

Don’t Stress About “Succeeding” or “Failing”

Don’t Stress About What You’re Turning In Each Day

Don’t Stress about November 26th (however you recognize the holiday weekend) - 2026 edition


*********************************

How to submit your work for Challenge #11

We’re streamlining the process this year with a Google form, 

https://docs.google.com/forms/d/e/1FAIpQLSdy-wyjz-IITaNsOkXM1zVQu_yrt_o7E4Vp2eQnr-8VNnu49w/viewform?usp=header

but you still have multiple options for how you submit your playwriting output for the day.

After you enter the required fields of 
email, 
name, 
challenge number (for today, that’d be 11 :) 
and page count, 
you can submit your writing in one of four ways:

Save your script as a PDF or Word Doc and upload that document to the Google form.

OR

Post your script online (on your personal website, as a blog post, or as a Google doc) and put a link to that online script in the Google form.

OR

Copy/paste your work from another source directly into the Google form

OR

Type directly into the Google form.

(Whichever option you choose, you can leave the other ones blank.)




Write Wednesday, November 11th - or earlier if you like
Again, this is: Due: Thursday, November 12th, 12pm noon Central Time 
(1pm Eastern Time, 11am Mountain Time, 10am Western Time for the US Time Zones)


*****************************

And, just to reassure you, no, we are not going to be sticklers about you following these directions down to the minutest detail - the important thing is that you write, and then that you share it with us, so we can keep track of who’s writing every day.

Also, no, there is no penalty for finishing and submitting early - but it also isn’t a race, so give yourself all the time up til 12 noon Central Time on Thursday to write if you need it.  When you’re done, you’re done.

Again, remember, it doesn’t need to be great, it doesn’t even need to be responding to this prompt (the prompt is just there so you’re not staring at a blank screen to start with no idea what to write about :)

Doesn't even need to be complete - you could have the beginning or the middle or the end of an idea, maybe two out of three but not all, that's still fine. This is all about getting things started, you can write more later. 

You have 19 more days to build on whatever you come up with today, if you want. 

Just get anything on the page, even if won't make sense to anyone else, as long as it makes sense to you.

It just needs to be something.


************************

And that something can be:


Lights up.

The priest, FATHER JONATHAN, takes his place in the confessional.

GLADYS steps into the other side of the confessional.

FATHER JONATHAN exits the confessional and runs away.

Lights down.

The End





That’s always your escape hatch, every day.

That’s your base line.

Build on it.

Have fun.

Don’t stress.

Make an impulsive decision and run with it.

Breathe.

You’ve got the day.

Just write.

And take good care of yourselves, and each other.

Matthew A. Everett
Literary Director
Threshold Theater
(he/him/his) 

Monday, November 9, 2026

Writing Challenge #10 - Song Lyric Contradictions (Write Nov. 10th)


Hi folks

The first seven days are complete!

RAW NUMBERS

For Day 7, the end of our first week, we had:

85 playwrights, submitting 308 pages of writing
(Or the equivalent of two full-length plays, plus another long one-act of 68 pages, or about another hour and ten minutes of stage time.)

Overall for the week:

The average number of playwrights submitting daily was 92
(The high mark was the first day with 97, the low mark was day 7 with 85)

A total of 641 separate submissions, totaling 2,240 pages

That’s the equivalent of 18 full-length, two-act plays, plus another long one-act of 80 pages, which these days passes as another full evening of entertainment

Phew!

That’s a lot of writing for one week, and we’re only getting started :)

Congrats to all who’ve been cranking out the pages and prioritizing your own writing a little bit (or a lot) each day for a whole week.  Well done.

And, as always, if you miss a day, don’t waste any time beating yourself up about it.

Just write again the next day.

On with week two!

Let’s get you the next writing prompt…

**************************
 

Challenge #10 - Song Lyric Contradictions

Write Tuesday, November 10th - or earlier if you like
Due: Wednesday, November 11th, 12pm noon Central Time 
(1pm Eastern Time, 11am Mountain Time, 10am Western Time for the US Time Zones)



This one’s another offering from Threshold Theater company member Jenna Mady.  This time around it’s audio rather than visual.

Jenna said, “Here are some various lyrics from songs I’ve had stuck in my head lately.”
 
A passage from “Haunted” by Phoebe Bridgers, off of her new album “Lost Weekend”

“I have no secrets, only feelings
And I know those go away
There is a difference
Between lying and deciding what not to say”


And a passage from “Brotherly Hate” by Hayley Williams

“Brotherly love
Brotherly hate
Don’t it sometimes feel like the same thing?”


Now I can go in two directions from a starting place like this.

I can ignore the music entirely and just go with the words of these bits of the song lyrics, both of which inspire contemplation of different ideas.

Or I can fold the music into it because, of course, the music fills in under and around the words in ways with a power that the lyrics all by themselves don’t have.

So if you pull up the lyric video for “Haunted” you have a bluegrass thing going on.

And if you pull up the official visualizer for “Brotherly Hate” you get hit with a indie pop/rock vibe.


I can sit in the music for a couple of repetitions of either song, hear the lyrics in context of the larger song, and get a different hit.

Also, it’s easy to mishear lyrics, so a good lyric video or liner notes will help you out - because, for instance, “deference” and “difference” will turn a whole sentence around, depending on which one you’re using.

Misheard or misunderstood lyrics, also a classic of the genre - so you can go down that side road if you want, turning something inside out by swapping words around to give yourself a whole other jumping off point.

So there’s a lot to muse on there.

Any variation on that (or one of your own that just sparked in your head) intrigue you enough to write about it?

Go forth and write.

Or, as always, just ignore me and Jenna and go write something else.


**********************

If you’re not interested in this prompt, you can 

try 2021’s challenge #10: Cars

Or try 2022’s challenge #10: Food Vs. Humans

Or try 2023’s Challenge #10: Inevitable (from Threshold Theater co-founder and Technical Director Nick Mrozek)

Or try 2024’s challenge #10: Nurse (from Threshold Theater Literary Associate Kate Cosgrove)

Or try 2025’s challenge #10: Little Guys, Jump Scares, Coffee and the Apocalypse (from Threshold Theater company member and stage manager June Haider)

Or, you know, just ignore the prompts altogether and write whatever you want - as long as you’re writing and turning it in by the deadline, that’s all that matters for the challenge :)


***********************

And because we call can get in our own way so easily, here’s some words of reassurance on the basics of this month:

Friendly Reminders - Answers To Common Questions:
(Follow the links to read me expounding on these items :)

Don’t Stress About Writing A Full Play

Don’t Stress About Format

Don’t Stress About Sticking To The Writing Prompt

No.  Really.  I Mean It.  Don’t Stress About Sticking To The Writing Prompt

Don’t Stress About Finishing An Idea (You Can Add Later)

Don’t Stress About “Succeeding” or “Failing”

Don’t Stress About What You’re Turning In Each Day

Don’t Stress about November 26th (however you recognize the holiday weekend) - 2026 edition


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How to submit your work for Challenge #10

We’re streamlining the process this year with a Google form, 

https://docs.google.com/forms/d/e/1FAIpQLSdy-wyjz-IITaNsOkXM1zVQu_yrt_o7E4Vp2eQnr-8VNnu49w/viewform?usp=header

but you still have multiple options for how you submit your playwriting output for the day.

After you enter the required fields of 
email, 
name, 
challenge number (for today, that’d be 10 :) 
and page count, 
you can submit your writing in one of four ways:

Save your script as a PDF or Word Doc and upload that document to the Google form.

OR

Post your script online (on your personal website, as a blog post, or as a Google doc) and put a link to that online script in the Google form.

OR

Copy/paste your work from another source directly into the Google form

OR

Type directly into the Google form.

(Whichever option you choose, you can leave the other ones blank.)



Write Tuesday, November 10th - or earlier if you like
Again, this is: Due: Wednesday, November 11th, 12pm noon Central Time 
(1pm Eastern Time, 11am Mountain Time, 10am Western Time for the US Time Zones)

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And, just to reassure you, no, we are not going to be sticklers about you following these directions down to the minutest detail - the important thing is that you write, and then that you share it with us, so we can keep track of who’s writing every day.

Also, no, there is no penalty for finishing and submitting early - but it also isn’t a race, so give yourself all the time up til 12 noon Central Time on Wednesday to write if you need it.  When you’re done, you’re done.

Again, remember, it doesn’t need to be great, it doesn’t even need to be responding to this prompt (the prompt is just there so you’re not staring at a blank screen to start with no idea what to write about :)

Doesn't even need to be complete - you could have the beginning or the middle or the end of an idea, maybe two out of three but not all, that's still fine. This is all about getting things started, you can write more later. 

You have 20 more days to build on whatever you come up with today, if you want. 

Just get anything on the page, even if won't make sense to anyone else, as long as it makes sense to you.

It just needs to be something.


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And that something can be:


Lights up.

JACOB stares down JUSTIN.


JACOB: Well, do you have an explanation for all that?

JUSTIN doesn’t respond immediately, having decided he needs to choose his next words very carefully.

Lights down.

The End




That’s always your escape hatch, every day.

That’s your base line.

Build on it.

Have fun.

Don’t stress.

Make an impulsive decision and run with it.

Breathe.

You’ve got the day.

Just write.

And take good care of yourselves, and each other.

Matthew A. Everett
Literary Director
Threshold Theater
(he/him/his) 

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