And after our standard nine month hibernation, we're back for round six!
November is traditionally a month when all sorts of writers sign up for challenges to finish the Great American Novel or that unfinished screenplay - why shouldn’t playwrights get in on the fun?
The goal is simple: to get you to prioritize your own playwriting, even if it’s just for a little while each day, every day, for a whole month.
Even if you only manage it every other day, or a couple of days a week, that’s still progress.
If you’re like me, you can sometimes be so good at putting off your writing until another day that you can look up and find weeks have gone by without you writing a single line of dialogue. We want to get out of that habit and replace it with a more creative habit.
And if you manage to write every single day of the month of November, then there’s an extra little prize for you at the end (read on for more details on that…)
Our challenge was created as a bit of an homage to a similar writing challenge that my friends at Red Theater in Chicago ran for several years in which I took part (so far I’ve mined the material I developed there for two full-length plays and a ten minute play). Since they’ve sadly discontinued the event, and Threshold Theater is devoted to the development of new work and creating a community of writers for the theater, we thought, “why not revive that November playwriting challenge idea and do it here?”
How it works:
Everyone who wants to participate in the challenge can sign up on the Threshold Theater website, where you “purchase” the November Playwriting Challenge for $15.
https://www.thresholdtheatermpls.com/store/p27/Threshold_Theater%27s_November_Playwriting_Challenge.html#/
(That $15 is sort of like putting money in a pool for March Madness or an Oscar party, but this time, you're betting on yourself as a writer.)
(If the payment is a problem for you, contact us at ThresholdWritingChallenge@gmail.com - we don’t want money to be a barrier to people participating in the challenge - we’ll make something work to get you in.)
Threshold Theater will take 20% off the top, which will go towards supporting the artists in our ongoing New Play Reading Series and future productions. The remaining 80% of the money collected from the $15 entry fees will go into the pot to create that prize at the end I mentioned before.
After purchasing the challenge with your entry fee, drop us an email at ThresholdWritingChallenge@gmail.com to let us know you’re in.
PLEASE NOTE: Since Gmail is being aggressive about curating people’s email inboxes the last year or so, if you don’t see emails from the Challenge in your inbox, and you have a gmail account, be sure to check on the “All Mail” option, which will reveal all the emails you receive, not just the ones Gmail thinks are important. Since we have links in the challenge emails and since you either have never received emails from us before, or haven’t since last November, Gmail may not be as interested in the playwriting challenge as you are :)
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Formal Rules:
Paid participation is only available to those residing in the United States.
Contest (aka, November Playwriting Challenge) entry period ends October 31, 2026 at 11:59pm Central Time.
The contest will run from 12:00 a.m. (midnight) Central Time on November 1, 2026 to 12:00pm (noon) Central Time on December 1, 2026
Participants must submit work by 12:00 p.m. (noon) Central Time each day to be considered eligible for winnings on December 1, 2026.
Winner(s) will be announced no later than December 8, 2025
Winnings will be sent out (from Threshold Theater’s Venmo account) no later than two weeks after winners are announced (December 22, 2026).
Winnings of $600 and over will require a form W-2 to be issued by Threshold Theater.
All payments received and sent out are in U.S. Dollars.
By paying the entrance fee and submitting the email you agree to the rules set forth from Threshold Theater and all disputes will be settled directly between Threshold Theater and participants.
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The writers who manage to write something every single day for the 30 days of November will split the money at the end. That, of course, is an extra reward on top of the main reward, which is that you prioritized your playwriting and wrote a whole bunch of new material in November. (And everyone, whether they write all 30 days or not, will get that “new play material” prize.)
(Every year I did this challenge through Red Theater, I wrote all 30 days and ended up getting my $15 back at the end as part of my share of the kitty, so it was basically free writing encouragement :)
First rule of the challenge - it doesn’t have to be good writing, it just has to be writing.
Part of the point of the challenge is to get you to just make decisions and run with them, blast past your internal censor and just put something on the page. One participating writer has likened it to doing improv with your keyboard.
Everything you write will, by the circumstances of its creation, be a first draft. You can always go back and “fix it” later :)
Each day you will have a writing prompt.
I will post the writing challenge on our challenge blog at https://thresholdwritingchallenge.blogspot.com/
I will also email everyone participating with the text of that day’s challenge and a link to that blog post (for future reference)
(The plan is to give you two or three days’ worth of prompts in advance, so if you want to keep writing or get a head start on the next day’s work, you can. The more writing the better.)
You can write to the prompt, or ignore it and write something completely different. Up to you. As long as you’re writing.
The point is just to give yourself the space and time to write something new.
Doesn’t even need to be a complete scene, you could just have the beginning and the middle and not have any idea how to end it, the rest of the idea may come to you another day down the road.
As long as you have something written, that’s a good day.
If you’re just not able to get anything going one day in November, and all you can come up with is:
“Lights up
CAROL dances across the stage and disappears
Lights down
The End”
That’s fine
(Obviously we want to avoid 30 days of that but that’s enough of a placeholder to count for the day’s writing: Lights up, Something happens on stage, Lights down, The End - that’s the baseline we all start with as our escape hatch for the day, challenge yourself to do more)
The daily check-in to keep us all honest and for me to be able to track who’s writing each day will go like this:
You’ll get the prompt for November 1st in advance of that date. You’ll have all day on November 1st to write.
By 12 noon, Central Time, on November 2nd, you’ll share your work with us through our new Google form in one of the following ways:
Last year, in order to streamline the process on our end, so we could be more responsive, we’ll be using a Google form for submissions rather than logging everything manually coming in via email response (which was manageable at 40 to 60 playwrights, but quite a bit less manageable the fourth year of the challenge when it ballooned to more than 100 playwrights - and stayed there :)
You can still do all the things with the Google form that playwrights previously did with email responses. There are three potential ways to share your work for the day:
You can attach your script pages as a pdf or Word document to the Google form.
You can also post your script online on your own blog or website (or post it as a Google doc) and then post a link to it on the Google form.
You can also copy and paste your text for the day directly into the Google form, or type directly into the Google form.
Also, there’s a place on the form where you can leave me a note if you have questions, concerns, technical difficulties or just random greetings you want to share. Since the Google form will be doing a lot of the stuff I used to do manually (logging the day and time of receipt, the number of pages, confirming receipt, etc.), I’ll be freer to respond in a more timely fashion to other inquiries, if all goes as planned.
Whichever option you choose in order to submit your writing each day, once you submit your work through the Google form, you will receive a copy of your submission, confirming we’ve received it, to your email address.
If you’re having issues with the Google form, no worries. Since this is still just our second year implementing this element in the process, we’re going to be flexible with folks, working with you to get things to work smoothly. No need to fret about this change in the process. We don’t want it to be a barrier to folks participating. (For starters, when you send us an email telling us you’re in on the challenge, we’ll do a test run with you on the Google form, prior to the challenge starting, just to be sure it all works well and there aren’t any additional bugs lurking in the system that we hadn’t caught yet.)
You can always turn your writing in early, but 12 noon Central Time will be the cutoff each day, and that way no one has an unnaturally early morning to make the deadline, regardless of what time zone they might be in.
So, submit your writing of the day for November 1st no later than 12 noon Central Time on November 2nd.
Then get working on the writing for November 2nd, to be turned in by12 noon Central Time on November 3rd.
And so on...
And we’ll all go through that process daily until 12 noon, Central Time, on December 1st, for the November 30th challenge.
(And don’t panic the first couple of days when we’re all getting up and running. We’re not going to be sticklers while we’re all fighting technology and working out the kinks on November 1, 2 and 3… Just post as you’re able and keep us in the loop by email on what’s going on if you’re having trouble, need tech support, etc. :)
Then December 1st, I’ll sit down and make a list of all the people who logged in with writing work every day of the month, and I’ll double check it with you all, to make sure I didn’t miss anybody.
And then we’ll split the collective 80 percent of the entry fees for the challenge between those prolific writers who all remain standing at the end of the month. We'll confirm contact details at that time for the best way to get you your money.
I have always had a tremendous amount of fun doing challenges like this as a writer myself, and my aim is to make this one fun and inspiring for all of you as well.
An overview of how things turned out the past five years:
Honestly, I was expecting maybe half a dozen writers from the Twin Cities metro our first time out in 2021. Instead, we got 10 writers in Minnesota, plus 33 other writers from 20 other states, 2 from Canada, and 2 whose location was unknown. 27 of the 47 writers wrote every single day.
In 2022, due to a technical glitch, we got a late start getting the word out, but we still ended up with 12 writers in Minnesota, plus 23 other writers from 15 other states, 1 from Canada, and 4 whose location was unknown. 22 of the 40 writers wrote every single day.
In 2023, we had 57 writers, 33 of whom wrote all 30 days. 19 of the writers were from Minnesota, the rest came from 16 other states around the U.S. and the District of Columbia, plus we had another Canadian representative for the third year running.
In 2024, we had an unexpected explosion in the number of participants, from 57 to 101. By the end of November, 64 playwrights wrote all 30 days (which, yes, is more total playwrights than we had in any of the previous three years :) We had 17 writers from Minnesota, plus 84 other playwrights from 25 other states, plus the District of Columbia, with 4 of them from Canada, and 1 from Scotland!
Last year, in 2025, we hit a new high with 111 playwrights, 70 of whom wrote all 30 days (another record). 13 of the 111 playwrights were from Minnesota, plus 91 other playwrights from 23 states, plus 1 in the District of Columbia, another 4 hearty representatives from Canada, 1 from Scotland, and 1 from Malaysia!
SPECIAL NOTE FOR OUR FRIENDS FROM OUTSIDE THE U.S.:
First… apologies for… well, everything. As you’ve no doubt noticed, the U.S. is a bit of a mess at the moment in terms of the way it’s interacting with the rest of the world.
Quite apart from all that, we are unable to process financial transactions outside of the United States. We don’t want to leave you out, though, so if you’re still interested in participating, even though there’s no payout at the end, contact us first directly via ThresholdWritingChallenge@gmail.com and we’ll discuss how you can participate (Don’t purchase the challenge on our website or pay the entry fee)
For everyone else, playwrights in the United States of America, if you’re interested in participating, go purchase the November Playwriting Challenge in the Store on the Threshold Theater website (www.thresholdtheatermpls.com) (which will put your $15 in the prize pot) and send us an email at ThresholdWritingChallenge@gmail.com to let us know you want to take part in the challenge.
Deadline to sign up is October 31, 2026 - 11:59pm, Central Time
(Donation needs to be entered no later than 11:59pm 10/31/26; but if you don't get around to the email part of it to notify us until later, that's fine - I just need your email address so I know where to send you the prompts with the link to the Google form every day :)
The fun (and writing) begin November 1, 2026.
Happy writing to you all!
Matthew A. Everett
Literary Director
Threshold Theater
(He/him/his)
